THE GOTHS COLUMN
The column is located in
the outer garden of the Topkapi Palace, at the
entrance to the Gulhane Park from Sarayburnu. It is
the oldest monument in the city that has survived
intact from the Roman period. The 15m high
monolithic marble column on an elevated base was
erected in either the 3rd or the 4th centuries. The
Corinthian capital is decorated with a coat of arms
depicting eagles. The name derives from the
inscription on the column that mentions a victory
against the Goths. It is almost hidden by the tall
trees surrounding it.
THE COLUMN OF CONSTANTINE (ÇEMBERLİTAŞ)
The column was erected to honor
Constantine in 330 AD, when Istanbul was dedicated
as the capital of the Roman Empire. It stood in the
center of a large oval-shaped square on top of the
second hill of Istanbul. This square, surrounded by
colonnades, was called the Forum of Constantine.
Cemberlitas is also known as the Burnt Column. It
was originally higher than it is today and was
topped by a statue of Constantine dressed as the sun
god. The porphyry blocks of the column were cracked
by time and by fire, and have been reinforced with
iron hoops.
The marble capital dates to the 12th century, and
the stone masonry in the lower section to the 18th
century. It is believed that a small chamber under
the column housed sacred relics of early
Christianity. The course of the avenue that passes
by the column has not changed since the time of
Constantine.
BEYAZIT SQUARE
This was built in 393 during the reign of
Theodosius I as the largest square in the city.
There was a gigantic triumphal arch in the center
decorated by bronze bull heads, hence the name
"Forum Tauri" (Square of Bulls).
A few marble blocks and column fragments have been
found from the triumphal arch, which was crowned
with the statue of the emperor, but nothing remains
from the monumental fountain in the northern part of
the square. Water to this, the largest fountain in
the city, was supplied by means of the Aqueduct of
Valens. To the north, the campus of the University
of Istanbul now occupies the ground on which Mehmet
the Conqueror built his first palace. The monumental
gate of the university and the fire lookout tower in
the garden are from the 19th century. The
present-day name of the square derives from the
Beyazit Mosque, which was built in the 15th century.
The mosque, neighboring the always crowded and
lively Covered Bazaar, used to have a complex of
surrounding buildings, but only the medrese, the
baths and some of the shops remain today.
SULEYMANIYE (SÜLEYMANİYE) MOSQUE
Numerous earthquakes that
have shaken Istanbul over the centuries have not
caused a single crack in the building. The baroque
decorations of the inside of the dome were made in
the 19th century. The handmade carpet with a mihrap
design covering the floor was placed here in the
1950's. The most attractive features of the interior
are the extremely colorful, 16th century original
stained glass windows with Turkish motifs in the
wall of the mihrap. A very simple balcony for the
chanters is situated next to the minber, and the
mihrap niche made of marble is decorated with tiles.
The sultan's loge is to the left of the mihrab.
Verses from the Koran are inscribed on the walls in
some of the supreme examples of the Turkish art of
calligraphy. Over the entrance and on the sides,
there are galleries reserved for women. The brass
grill partition to the right of the entrance is a
masterpiece of 18th century Turkish metalwork. In
the rear courtyard there are the tombs of Siileyman
and his beloved wife Roxelane, as well as graves of
other prominent people. A small and extremely modest
grave is located at one corner of the complex. This
is the tomb of the great architect Sinan, who lived
to be ninety-nine years old and was for 50 years the
extremely esteemed and respected chief architect of
the empire. Sinan was a diligent and productive
architect who left over four hundred works behind
him. He is the most important figure in classical
Turkish architecture, of which he was the
originator. His apprentices created masterpieces not
only in the empire, but also in other Islamic
countries.
The largest and most imposing
mosque in Istanbul, the city of domes and minarets,
is the Suleymaniye. The aesthetic supremacy of its
interior and exterior and its perfect proportions
have been captivating the visitors for centuries.
The Suleymaniye Mosque is an architectural
masterpiece. . The 16th century was the golden age
of the Ottoman Empire. Suleyman the Magnificent, the
longest reigning among the thirty-six Ottoman
sultans, ruled for 47 years in this century. The
great sultan entrusted the construction of the
mosque to bear his name to Sinan, the /. Suleymaniye,
southern facade with stained glass windows, and the
Friday congregation. grand master of architecture.
Sinan completed the mosque and the large complex
surrounding it between 1550-1557. The mosque was one
of many demonstrations of the genius of Sinan, the
father of classical Turkish architecture. The
complex surrounding the mosque was composed of
schools, a library, baths, public kitchens,
caravanserai, a hospital and shops. The beauty of
the exterior of the mosque is best appreciated from
a distance. This imperial edifice can be seen in all
its magnificence from the Galata Tower or the Galata
side of the Golden Horn. A huge dome covers the main
chamber of the mosque, which has four minarets. The
main entrance to the mosque is from an inner
courtyard that is surrounded by porticoes and has an
ablution fountain in the center. The spaciousness,
unity and exquisite decorations add to the imposing
view of the interior. The 53 m high central dome
with a diameter of 26.50 m rests on four pillars
called elephant-feet. All the architectural elements
of the interior are in perfect harmony with one
another. The static balance of the structure is
faultless too.
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THE COVERED (GRAND) BAZAAR
The oldest and largest
covered bazaar in the world is situated in the heart
of the city. One cannot appreciate this market
without visiting it. It resembles a giant labyrinth
with approximately sixty lanes and more than three
thousand shops.
The bazaar consisted originally of two 15th century
buildings with thick walls that were covered with a
series of domes. In later centuries the streets
around these buildings developed and were covered
and new additions were made, turning it into a
trading center. In the past each lane was reserved
for a different profession and the handicrafts
produced here were rigorously controlled.
Business ethics and traditions were strictly adhered
to.
All types of jewelry, fabrics, weaponry and antiques
were sold by merchants whose expertise in the trade
went back for generations. At the end of the last
century the bazaar suffered an earthquake and
several fires.
Although it was repaired according to its original
plan, it lost its former characteristics and
deteriorated.
In the old days the tradesmen commanded so much
respect and trust that people asked them to
safeguard and to invest their money. Today the shops
in many lanes have changed character. Trades such as
quilt makers, slipper makers and fez makers only
remain as street names now.
The so-called main street of the bazaar is lined
with jewelry shops, and a side lane opening to this
street is allocated to goldsmiths. Prices vary and
bargaining is customary in these rather small shops.
Although the bazaar retains its former charm and
allure, since the 1970's the modern and large
enterprises near the main entrance offer better
shopping opportunities for the tourist groups
visiting Istanbul.
The covered bazaar is crowded and bustling the whole
day. Shop owners insistently invite the visitors to
their shops. In the large and comfortable shops at
the entrance one can find examples of all the
hand-made articles produced in Turkey.
The handmade carpets and
jewelry sold here are the finest examples of
traditional Turkish art. Every item on sale carries
its tag of authen-ticity and it can be shipped to
anywhere in the world.
Along with the carpets and jewelry, these shops
offer a wide collection of high-quality Turkish
silverware, copper and bronze souvenirs and
decorative objects, ceramics, and onyx and leather
goods.
The Spice Bazaar is another covered market place on
a smaller scale. A small 15th century covered bazaar
in Galata is still in use.
DOLMABAHCE PALACE
The Dolmabahce Palace, a blend of
various European architectural styles, was built
between 1843-1856 by Karabet Balyan, the court
architect of Sultan Abdulmecid. The Ottoman sultans
had many palaces in all ages, but the Topkapi was
the official residence until the completion of the
Dolmabahce Palace.
The three-storied palace built on a symmetrical plan
has 285 rooms and 43 halls. There is a 600 m long
quay along the sea and two monumental gates, one of
them very ornate, on the land side. Well-kept,
beautiful gardens surround this seaside palace. In
the middle, there is a large ballroom with a ceiling
higher than the other sections. The entrance section
of the palace was used for the receptions and
meetings of the sultan, and the wing behind the
ballroom used as the harem section.
The palace has survived intact with its original
decorations, furniture, and the silk carpets and
curtains. It surpasses all other palaces in the
world in wealth and magnificence.
The walls and the ceilings are covered with
paintings by the famous artists of the age and
decorations made using tons of gold. All the
furnishings in the important rooms and halls are in
different shades of the same color. The ornate
wooden floors have different designs in each room,
and they are covered with the famous silk and wool
carpets of Hereke, some of the finest examples of
Turkish art.
Rare handmade artifacts from Europe and the Far
East'decorate every room in the palace. Brilliant
crystal chandeliers, candelabras and fireplaces add
to the lavish decor.
The ballroom is the largest of its kind in the
world. A 4.5 ton colossal crystal chandelier hangs
from the 36 m high dome. The hall, which is used for
important political meetings,receptions and balls,
was previously heated by an oven-like system under
the floor. Central heating and electricity were
later additions to the palace.
Of the six baths in the palace, the one in the
section reserved for men was made of unique and
beautifully carved alabaster.
The upper galleries of the ballroom were reserved
for orchestras and the diplomatic corps. Long
hallways lead to the harem, where the bedrooms of
the sultan and the quarters of his mother, other
ladies of the court and the servants were located.
An annex in the north was reserved for the crown
prince. The entrance to this building is from
Beşiktaş and it now serves as the Museum of Fine
Arts.
In the Republican era, Atatürk used to reside in
this palace when he visited Istanbul. He died here
in 1938 and before his body was taken to Ankara, it
was laid in state while the public poured in to pay
him their last respects.
THE CIRAGAN PALACE
The best sites along the
Bosphorus and the Golden Horn had been reserved for
the palaces and mansions of the sultans or important
personalities. Most of these, however, have
disappeared in time. One of these, the large Crragan
Palace, burned down in 1910.
The palace, replacing an earlier wooden palace, had
been built in 1871 for Sultan Abdula'ziz by court
architect Serkis Balyan. The construction took four
years and cost four million gold pieces.
The ceilings and the interior partitions were made
of wood, the walls were covered by marble. The
columns were superior examples of stonemasonry. The
palace was lavishly decorated with rare carpets,
gilded pieces and furniture inlaid with
mother-of-pearl.
Like other palaces on the shores of the Bosphorus,
the Ciragan had been the venue of various important
meetings. Its facades were decorated with colored
marbles, it had monumental gates, and it was
connected to the Yildiz Palace on the slopes behind
it with a bridge.
On the landside it was surrounded by high walls.
After remaining in ruins for many years, the palace
has been renovated and turned into a 5-star seashore
hotel with several new additions.
THE ANATOLIAN FORTRESS
The fortress is situated on the
Asian shore of the Bosphorus, the sole outlet of the
Black Sea, and it was built by Sultan Bayezid in
1390-91. Next to it there is a stream running into
the sea.
Together with the Rumeli Fortress on the opposite
side, it ensured full control over the traffic in
the Bosphorus. This small fortress creates a
picturesque scene with the old wooden houses leaning
on its walls and its green surroundings. The Kanhca
district, a little further up the Bosphorus, is
famous for its seaside cafes and yogurt. The Asian
towers of the Fatih Bridge rises in this district.
THE RUMELI FORTRESS
Istanbul had been besieged many
times before Mehmet the Conqueror took the city in
1453, but it managed to defend itself with the help
of the Roman city walls.
During very long sieges, provisions were supplied to
the city through sea routes. The Rumeli Fortress was
built before the siege in 1453 opposite an earlier
Turkish fortress on the other shore to prevent any
reinforcements and help to the city from the Black
Sea.
The fortress was completed in the amazingly short
time of four months in 1452. This largest and
strongest fortress of the Middle Ages lost its
importance after the fall of the city.
A fine example of classic Turkish military
architecture, the fortress adorns the Bosphorus in
all its impressiveness.
It was restored in the 1950's and turned into a
museum. During the annual Istanbul Festival of Arts,
the interior of the fortress is used as an
amphitheater. It is best viewed from the Asian shore
or from the boats operating on the Bosphorus.
Theatre Stages
|
Name |
District |
Contact
Information |
|
Aziz Nesin Stage |
Bakırköy
|
Phone: + 90 212
507 43 82 |
|
A.F.L Culture
Center |
Göztepe
|
Phone: + 90 216
347 64 60 |
|
Abdullah Şahin
Nokta Theatre |
Kadıköy
|
Phone: + 90 216
347 47 14 |
|
Ada Culture Center |
Beyoğlu |
Phone: + 90 212
251 55 44 |
|
Akatlar Culture
Center |
Etiler
|
Phone: + 90 212
287 52 80 |
|
Aksanat Production
Theatre |
Beyoğlu
|
Phone: + 90 212
252 35 09
Fax:: + 90 212 245 12 28 |
|
Ali Poyrazoğlu
Theatre |
Fındıkzade |
Phone: + 90 212
635 99 89 |
|
Ali Poyrazoğlu
Theatre |
Taksim |
Phone: + 90 212
244 46 75 |
|
Altan Erbulak
Stage |
Bakırköy
|
Phone: + 90 212
543 73 28 |
|
Müjdat Gezen Child
Theatre |
Altunizade
|
Phone: 0216 391 65
38 |
|
Yunus Emre Culture
Center |
Ataköy
|
Phone: + 90 212
661 38 94-95 |
|
Atatürk Culture
Center |
Taksim |
Phone: + 90 212
251 56 00
0 212 245 25 90
Fax:: + 90 212 243 32 61 |
|
Aziz Nesin Stage
|
Taksim |
Phone: + 90 212
245 25 90 |
|
Bahçelievler
Municipality Theatre |
Bahçelievler
|
Phone: + 90 212
441 36 81 |
|
Barış Manço
Culture Center |
Kadıköy |
Phone: + 90 216
418 16 46
0 216 418 95 49
Fax:: + 90 216 418 42 26 |
|
Beşiktaş Culture
Center -BKM |
Beşiktaş |
Phone: + 90 212
327 24 27-28
Web:
www.bkmonline.net |
|
Bilsak Theatre
Workshop |
Cihangir |
Phone: + 90 212
243 28 79 |
|
Bizim Theatre |
Galatasaray |
Phone: + 90 212
245 24 90 |
|
Cemal Reşit Rey
Concert Hall |
Harbiye |
Phone: + 90 212
231 54 97
Fax:: + 90 212 248 54 51 |
|
Çağdaş Stage
|
Kadıköy |
Phone: + 90 216
377 17 69 |
|
Çevre Theatre
|
Kocamustafapaşa |
Phone: + 90 212
585 59 35 |
|
Dormen Theatre
|
Pangaltı |
Phone: + 90 212
241 27 37 |
|
Dostlar Theatre
|
Tünel |
Phone: + 90 212
248 89 06 |
|
Düşün Stage
|
Beyoğlu
|
Phone: + 90 212
293 68 00 |
|
Efe Art House
|
Mecidiyeköy |
Phone: + 90 212
212 94 82 |
|
Enis
Fosforoğlu Theatre |
Üsküdar |
Phone: + 90
216 333 65 28 |
|
Fatih Reşat
Nuri Stage |
Fatih |
Phone: + 90
212 526 53 80 |
|
Gaziosmanpaşa
Stage |
Ümraniye
|
Phone: + 90
212 578 60 67 |
|
Gönül
Ülkü-Gazenfer Özcan Theatre |
Şişli |
Phone: + 90
212 280 80 67 |
|
Hadi Çaman
Theatre |
Nişantaşı |
Phone: + 90
212 231 09 67 |
|
Haldun Taner
Stage |
Kadıköy |
Phone: + 90
216 349 04 63 |
|
Hamdi Saver
Theatre |
Ortaköy
|
Phone: + 90
212 259 91 12 |
|
Harbiye Cep
Theatre |
Harbiye |
Phone: + 90
212 240 77 20 |
|
Harbiye Muhsin
Ertuğrul Stage |
Harbiye
|
Phone: + 90
212 240 77 20 |
|
Hasan Ali
Yücel Culture Center |
Kartal |
Phone: + 90
216 353 37 78 |
|
İstanbul Stage
Theatre |
Taksim
|
Phone: + 90
212 292 39 00 |
|
İstanbul Art
Center |
Tarlabaşı
|
Phone: + 90
212 235 54 57
Fax:: + 90 212 235 54 57 |
|
Kadıköy
Belediyesi Halis Kurtça Culture Center
|
Göztepe |
Phone: + 90
216 357 28 36 |
|
Haldun Taner
Stage |
Kadıköy
|
Phone: + 90
216 349 04 63 |
|
Kadıköy Public
Training Center |
Kadıköy
|
Phone: + 90
216 346 98 99
0 216 330 10 27 |
|
Karaca Theatre
|
|
Phone: + 90
212 252 44 56 |
|
Kartal Art
Cooperation Theatre |
Pendik
|
Phone: + 90
216 354 60 94 |
|
Kenter
Theatre |
Harbiye |
Phone: + 90
212 247 36 34 |
|
Kumkapı Stage
|
Tarlabaşı |
Phone: + 90
212 235 54 57 |
|
Levent
Kırca-Oya Başar Theatre |
Beşiktaş
|
Phone: + 90
212 219 10 14
0 212 233 64 55 |
|
Masal Gerçek
Theatre |
Bahariye
|
Phone: + 90
216 348 34 37 |
|
Maya |
Taksim
|
Phone: + 90
212 252 74 52 |
|
Muammer Karaca
Theatre |
Beyoğlu |
Phone: + 90
212 252 44 56 |
|
Muhsin
Ertuğrul Stage |
Harbiye |
Phone: + 90
212 240 77 20 |
|
Müjdat Gezen
Theatre |
|
Phone: + 90
216 391 65 38 |
|
Nejat
Uygur Theatre |
|
Phone: +
90 212 585 59 35 |
|
Oda
Theatre AKM |
Taksim |
Phone: +
90 212 245 25 90 |
|
Orta
Oyuncular (SES-1885) |
Beyoğlu |
Phone: +
90 212 251 18 61 |
|
Ortaköy
Afife Jale Stage |
Ortaköy |
Phone: +
90 212 260 02 16 |
|
Oyun
Workshop
|
Moda |
Phone: +
90 216 349 98 78
0 216 349 98 79
Web:
www.oyunatolyesi.com |
|
Oyuncular
|
Beyoğlu
|
Phone: +
90 212 252 44 56 |
|
ÖFB
|
Boğaziçi
Üniversitesi |
Phone: +
90 212 287 02 32 |
|
Pendik
Culture Center |
Pendik
|
Phone: +
90 216 491 07 17 |
|
Profilo
Culture Center |
Mecidiyeköy |
Phone: +
90 212 216 40 70 |
|
Reşat Nuri
Stage |
Fatih |
Phone: +
90 212 526 53 80 |
|
Sabancı
High School |
Beşiktaş
|
Phone: +
90 212 261 02 88 |
|
Sadri
Alışık Theatre |
Beyoğlu
|
Phone: +
90 212 292 39 19 |
|
Salih
Kalyon Theatre |
Altunizade |
Phone: +
90 216 333 65 28 |
|
Stüdyo
Theatre |
Şişli
|
Phone: +
90 212 246 77 25 |
|
Taksim
Stage |
Taksim
|
Phone: +
90 212 245 25 90 |
|
Tevfik
Gelembe Theatre |
Kadıköy |
Phone: +
90 212 336 21 03 |
|
Theatre
Boğaziçi |
Bebek
|
Phone: +
90 212 287 02 32 / 121 |
|
Theatre
Oyunevi (İSM) |
Beyoğlu
|
Phone: +
90 212 254 96 96
Fax:: + 90 212 251 60 60 |
|
Theatre
Pera |
Taksim |
Phone: +
90 212 244 52 03
0 212 245 44 60 |
|
Theatrekare |
Şişli
|
Phone: +
90 212 230 16 18
Fax:: + 90 212 230 82 01 |
|
Ümraniye
Stage |
Ümraniye |
Phone: +
90 216 461 85 22 |
|
Üsküdar
Musahipzade Celal Stage |
Üsküdar
|
Phone: +
90 216 333 03 97 |
|
Yasemin
Yalçın Theatre |
Beşiktaş |
Phone: +
90 212 261 01 91 |
|
Yayla
Sanat Center |
Maltepe
|
Phone: +
90 216 383 99 20 |
|
Yayla
Sanat Center |
Maltepe
|
Phone: +
90 216 441 20 87
0 216 383 63 79 |
|
Zübeyde Hanım Stage |
Fındıkzade |
Phone: + 90 212 533 15 55
|
|
|
|
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